Women in American Revolution essays

Women in American Revolution essays The Revolutionary War brought much disruption to the lives of all women in New York. Many of these patriot women had to house the Red-Coats, while others picked up a sword and joined the men in the fight for our country. Many of these womens baby steps towards freedom did not do any good, because they were still seen as inferior by the men of America. Although, these women may have helped to change womens standing in society by inspiring women of the suffrage movement, which helped them to obtain equal rights in the 1920s. In the year 1776, after many conflicts with the British and the taxation laws, America was ready to break free and patriot women were ready to help. Women did much of the organizing for boycotts of English goods, including tea and cloth. A large number of the middle class women traveled with the armies to cook, sew, carry and tend the wounded. Women who were not on the march tended the farms and shops that had been left behind by the men. They cared for the wounded from nearby battles and took food and clothing to captured Americans held in British prisons. In the early stages of the war, some New York middle class women were quick to organize themselves into the Daughters of Liberty. The Daughters of Liberty were successful groups that proved womens involvement in politics could be beneficial for the country. As public support to boycott British goods increased, Daughters of Liberty joined the support to condemn British importation. They were recognized as patriotic heroines for their success, which made American less dependent on British textiles. In the countryside, while patriots supported the non-importation movement of 1765, and 1769, the daughters of liberty continued to support American resistance. In New York women spun wool into homemade cloth. In 1774, the patriot women helped influence a decision made by continental congress to boycott all...

Innuendo

Innuendo Innuendo Innuendo By Maeve Maddox The word innuendo derives from a Latin verb meaning â€Å"to nod to, to signify.† As a legal term in the Middle Ages, innuendo was used to introduce the explanation of a word that was previously uncertain. For example, in modern conversation, we often find ourselves explaining an ambiguous pronoun: â€Å"Mary and Gilda went to the fair. She–I mean Mary–paid for the food.† A medieval lawyer might have said, â€Å"Mary and Gilda went to the fair. She–innuendo Mary–paid for the food.† From being used to clarify, the noun innuendo has come to be used as a way to imply a thought without explicitly stating it: innuendo (noun): An oblique hint, indirect suggestion; an allusive remark concerning a person or thing, esp. one of a depreciatory kind. Here are some examples of current use: Obeng (1997) defines specific categories of verbal indirectness, such as evasion, innuendo, circumlocution, and metaphor. They seldom spoke and when they did they were always surrounded by family or friends, their conversations  sprinkled with innuendo  that only they understood. However, the protagonists’  innuendo-sprinkled  banter was also laced with sanctimonious, self-righteous platitudes about the senselessness of war. The site NameItChangeIt.com is a nonpartisan site that brings the sexist innuendo of political rhetoric into the open. The innuendo of political rhetoric has acquired a specialized term: â€Å"dog-whistle politics.† George F. Knox of the Center for Professionalism and Ethics at the Florida International University Law School explains dog-whistle politics this way: it’s like dog whistles – the pitch is beyond the  capacity of human beings to hear. But the dogs can hear. And so it is with innuendo. Only the people who have a connection with it can recognize it. Like any rhetorical device, innuendo may be used to enrich expression or to manipulate meaning. Similar terms for ideas hinted at but not stated: Verbs insinuate imply hint suggest Nouns insinuation implication hint suggestion Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Vocabulary category, check our popular posts, or choose a related post below:12 Types of LanguageUsed To vs. Use ToHyphenation in Compound Nouns

Education Systems in Scotland and Sweden Essay Example | Topics and Well Written Essays - 3000 words

Education Systems in Scotland and Sweden - Essay Example This will also induce interest in the mind of the child towards the subject. Hence practical learning should be introduced in schools right from primary stage. The structure of education should be prepared in a way to build a child’s character and instill fine ideas in his mind. Education must not be regarded only as source of information but should guide towards development and implementation of skills and character. Education today must not be only memorizing of information but one should learn to apply the facts. The present curriculum should have high moral values as education provides service to the society at large. The education system must be able to provide awareness towards social duties and commitments. The education system in Scotland has a long history of universal accessibility and affordability. There is a marked difference between the education system in Scotland and other parts of the United Kingdom. The Scottish system has given more focus on variety of subje cts while the English, Welsh and Northern Irish systems have given more focus on the depth of knowledge from lesser number of subjects in the secondary school level. There is a General Teaching Council that supervises and regulates the standards of teaching capacity of the Scottish teachers (Scotland’s education system, 2012). ... It includes all the experiences that young children can garner from their education. The purpose is to develop knowledge and skills among the young pupils (What is Curriculum for Excellence? 2012). The curriculum of primary education has a broad spectrum and there is higher spending to maintain the quality of education. The primary education system is also characterized by lack of weekly tests and comparatively smaller number of students in each class. It is a supportive education system where the students can learn the practical applications of all the subjects (Scott, 2009). The age group for attending primary schools range from 5 to 12 after which they attend secondary schools (Scottish Education System, 2003). Environmental studies are a major part of primary education to make the pupils responsible towards the society and environment. It also teaches them to respect the self and others (Hayes, 2010, p.133). The primary education system encourages the young children to work in gr oups thus developing mutual communication skills. This can help them to use their skills in other classroom activities which will pave the way for improved learning environments provided by the teachers (Christie, 2009, p.154). Historical context The year 1872 has been noted as the beginning of primary education in Scotland. It was in 1920 that the difference between primary and secondary education was accepted in the country. The reason behind the adult education never gaining a prominent position was that â€Å"popular views mostly did not distinguish among the liberal humanism of university education†¦..and the kinds of liberal studies to which the adults might aspire if they had lost out on education as children† (Paterson, 2003, p.9).

Ddp3 Essay Example | Topics and Well Written Essays - 250 words

Ddp3 - Essay Example According to Cambridge Dictionaries Online (2003), a research is â€Å"a detailed study of a subject, especially in order to discover (new) information or reach a (new) understanding.† Clearly, I have gained a better understanding of organisational research and more importantly its usefulness to the organisation. I have come to appreciate the fact that the growth and development of an organisation depends largely on the amount of effort that is put into researching on issues that concern the organisation. My thinking about the structures of an organization and how they operate has greatly been affected. Due to lesson taken in this module, I have come to learn about organizational structures, division of labour and the need to respect organizational protocols. This means that in practicality, I am going to be a better functionary of any organization I find myself. Clark (2010) has it that â€Å"Leadership is a process by which a person influences others to accomplish an objective and directs the organization in a way that makes it more cohesive and coherent.† As a leader of people and as a manager of an organizational, I have learnt out of this module that organizational leadership is all about team work. This is to say that as a leader, I am not supposed to assume that I have the power to get all things done. Rather, I have to believe in the competences of my subordinates and give them much room to also put their capabilities to use. My major original contribution has to do with supportive coexistence. In my opinion, organisations can be managed better if each member of the organisation lived and worked the proverbial ‘being each other’s keeper’. Organisational structures must work must each person must be available to support the other

Armitage and praise song Essay Example for Free

Armitage and praise song Essay In both poems, a sense of nostalgia and reminiscence is conveyed; they are written in the past tense which leads to a state of reflection and acknowledgement. As a reader, one can immediately capture this notion, when reading Praise Song for My Mother, as the title itself has very traditional African connotations it marks a celebration or tribute of someones life. Whereas Armitage titles his poem Harmonium which is what the poem is physically about but also is symbolic of the relationship between him and his father. Armitage introduces the poem with an anecdote; this evokes a feeling of reminiscence. It contains very physical descriptions Shadowy porch of Marsden Church this establishes the setting for the reader and perhaps portrays Armitage as being entranced by the church; he appreciates very minute details. However, when describing the Farrand Chapelette, it was described using the idiom gathering dust which has a double meaning it was physically accumulating dust but also it was coming of age. In addition, Armitage describes his ultimatum; it could be bundled off to the skip or could become his for a song this suggests the church organ is not in satisfactory condition as the idiom bundled of to the skip indicates it would have been thrown out. More importantly, Armitage explains how the church organ could be his for a song which is an interesting play on words as the purpose of the harmonium is to play songs but also this idiom suggests it could have been purchased cheaply which leads the reader to assume the harmonium has lost its functionality and is impractical, similar to the freight of his father. In Praise Song for My Mother, Nichols uses You, a second person pronoun, which introduces a sense of intimacy and makes the poem very personal. This is followed by were, a past tense verb, which indicates the poem is addressed to someone who cannot hear her or maybe is no longer alive. This idea correlates with the concept of a praise song a traditional African tribute to someone no longer alive. Nichols describes her mother using a metaphor; you were water to me. Water is regarded as precious, particularly in African culture but it is also an essential element of sustaining life which leads the reader to deduce the extent of the impact the mother has had in this person. The water is then described as deep and bold with regards to the mother, one can interpret this to mean the water is a large store of knowledge that cannot be accessed as physically humans cannot survive; it is very mysterious and also it shows the great expanse of her motherhood. Fathoming derives from the Anglo Saxon era and means to embrace the water embraces many sea creatures and therefore sustains life which is essentially a quality of her mother. But it can also mean to reason out problems this relates to the idea of a store of knowledge. Armitage gives sunlight agency as it can beatify saints and raise the dead. This catholic connotation brings about positivity to the church as images of saints are lifted above ordinary people. However, this is contrasted by the destructive power of the sunlight as it weathers the aged wooden case of the harmonium and the fingernails of its key. Armitage personifies the keys to draw a parallel with his dads smokers fingers. Further damage included one of the notes lost its tongue which means sound is lost. Armitage then paints an image of a traditional organist who wears grey, woollen sock. This inspires an idea of how old the harmonium and its battle with time. Armitage describes the motion of pedalling and uses repetition to support the onomatopoeic effect/. Nichols also uses repetition as she starts the second stanza with You were. This maintains the intimate and personal element to the poem. She describes her mother as the moons eyes. Historically, the moon represents strength and an icon of femininity. By personifying the moon, it shows that whilst her mother may not be on walking earth, she is looking over her this adds a transcending aspect to her mother. References made to the moon are pull and grained which can suggest to the reader the gravitational attraction between mother and daughter is similar to that of the earth and moon and how her mother had suffered a lot through her life and was left scarred. When using mantling, it evokes an image of being covered or wrapped up to protect. Moreover, Nichols lack of apostrophe in the third stanza, fishes, suggests her breakdown in emotion. The third stanza is different from the first two as here Nichols begins to list metaphors describing her mother. She once again makes the poem more personal through the reference of crabs leg/the fried plantain smell which is a delicacy central to her tradition. Furthermore, Armitage displays his emotions coming to a breaking point in the third stanza. This is achieved through his use of but which indicates a shift in tone. He uses alliteration, hummed harmonics, to increase the pace imitating his release of emotion. Also there is an onomatopoeic aspect which denotes the sound. This allows the reader to appreciate how engaged Armitage is with the harmonium. His use of the idiom struck a chord has a double meaning it can mean to physically play a sound but more importantly it means to provoke an emotional response to something. As the stanza continues, Armitage makes reference to father and son and is talking about him and his father this increases the feeling of nostalgia as it was him and his father who had sang as choir boys. It is in the fourth stanza where Armitages emotions become apparent. He makes very delicate comparisons with his father and the harmonium dotted thumbs. After this, Armitage how him and his father would cart it away in doing so, the harmonium is described as a valueless item. He personifies the harmonium by describing its back similar to how a person would be placed in a coffin. Armitage mentions how his dad belittles his own death. His dad describes his body as freight which is monosyllabic and brings heaviness to the comical aspect of his dad. Armitage cannot respond to his dads cynical humour and has lost his tongue. This represents the difference in character between the two. In contrast to the sad mood conveyed in Harmonium, Nichols ends the poem with words of wisdom from her mother Go to the wide futures, she said. This reinforces the idea the mother is looking over her and is wise.

When It Rains, It Pours :: Personal Narratives Depression Death Essays

When It Rains, It Pours Have you ever had a time in your life where you felt like everything was just dumped on you? I did, and undoubtedly it happened just as I came to school at State University. That saying, â€Å"When it rains, it pours,† just seemed to fit me perfectly. Within a two week period one of my friends from high school committed suicide, my grandma went in the hospital, and my boyfriend broke up with me. Yet, from these experiences in my life, I grew, more than I have ever grown before. This is why I am writing about it. Although, everyone goes through hard times, there were not many people out there who related to me. That is why it was hard to get help when it was needed. Maybe someone can learn from my experience and be just as strong as I was. I was very excited to make a new step in my life, college. I came with high hopes and aspirations. My hometown is not near Arizona, It is Lake Tahoe, Nevada, so going home for the weekend was simply out of the question. I had a great time for the first month, enjoying freedom. However, I was sitting in my room one night writing a paper with my roommate, and one of my friends from home called me. She said that one of our good friends from high school had just committed suicide earlier that day. I didn’t know how to react to this; I was scared, and confused. Why did he do it? Why didn’t anyone know that he was unhappy? Was he unhappy? I felt regret, thinking I should have been there for him. Once the crying commenced, my mother called me telling me that my last grandma had gone into the hospital. She had collapsed in her apartment and was rushed to the emergency center. I had no idea what to do. I felt like God was just condemning me and attacking me for som e reason. I went into this deep depression and I didn’t want anyone to talk to me, if they did, I would simply start crying. I was alone, and no one knew who I was. I was too far away from home to go to my friend’s ceremony.

America in Vietnam †1969-1973

Situation of Vietnam was no less then a mess, when Richard Milhous Nixon took over the reigns of President-ship in 1969. More than 500,000 troops were stationed in Vietnam and around 1200 American soldiers were being ambushed in action. In domestic front, no one was able to come to any consensus on any further course of action. Majority of the people was feeling that the war was a mistake and some were swayed by the notion that there won’t be peace for at-least two more years. And added to it, social complexities like the racism and skepticism for anti-war movement gave rise to the longstanding apathy toward Nixon among Democrats.Melvin Laird and Henry Kissinger were appointed as a defense secretary and National Security Advisor respectively. The whole of Nixon and Kissinger’s policy towards Vietnam was based on the pessimism and negativity. And the situation was deeply complex. Nixon had to face the burden at home front too. People would not tolerate continuation of wa r. Secondly Nixon could not afford withdrawal of the troops too as the withdrawal could shake his political roots. In this scenario, Nixon adopted four prolonged strategies, â€Å"Vietnamization, The politics of polarization, The Madman scenario and a Triangular diplomacy. †The process of Vietnamization involved efforts to reduce the casualty rates of American soldiers. The strategy he adopted was marginalized. He ought to reduce the combat forces and at the same time turn the voice of the people to the point that South Vietnamese had enough strength to gain control on war and they did not require any ground troops. Secondly, in the process of politics of polarization, he meant to keep his opponents silent and thirdly Henry Kissinger would imbibe in among the representatives of North Vietnamese that the rage Nixon could get into in case they resort to any military action or any obduracy in peace talks.Nixon also tried to follow geopolitical approach to the war. He attempted t o expand the trade relations with Soviet Union and People’s Republic of China and indirectly forcing North Vietnamese to resort to peaceful settlement to the war. By the end of 1972, U. S. Secretary of State, Henry Kissinger and the representatives of DRV, Xuan Thuy and Le Duc fashioned a peace draft, which Washington and Hanoi believed its southern allies would accept in Paris but this did not happen. As a result, the war got more intensified when in December 1972, Nixon threw deadly bombs on their the larges cities, Hanoi and Haiphong.These attacks were highly condemned world wide forcing Nixon administration to again reassess his tactics and change his strategy for negotiations. Since 1955, Prince Norodom Sihanouk of Cambodia had shown themselves neutral towards both agitating parties but PAVN/NLF took upon the opportunity to use Cambodia as a base of their activities and Sihanouk did not resist because he wanted to evade from being drawn into wider conflict. But when Wash ington pressurized him, he changed his policy in 1969 and he vehemently opposed.The PAVN/NLF and President Nixon grabbed this opportunity and unleashed secret bombings, over their sanctuaries located by the border areas, popularly known as Operation Menu. In a period of 14 months, more than 2,750,000 tons of bombs were secretly dropped. In 1970, supporter of America, General Lon Nol ousted Sihanouk and closed the borders of the country and along with that both United States and the ARVN entered into Cambodia attacking severely AVN/NLF bases taking more time for South Vietnam. These attacks weakened Cambodia and gained the support for the Khmer Rouge. 2His excursions over Cambodia created protests all over America. Ohio protests saw four students killed by National Guardsmen at Kent State University raising the public outcry. 3 The attitude of the Nixon government towards the incident was enough to raise furor among public against the War itself. _____________________________________ ______ 2 Bragg, Christine, Vietnam, Korea and US Foreign Policy, 1945-75 (Oxford: Heinemann Publishers, 2006) 3 Bragg, 162 In 1971, the papers showing United States involvement in War was leaked revealing top secrets of United States policies in Vietnam.Soon, ARVN took more offensive route by indulging in Operation Lam Son 719 with an aim to cut the Ho Chi Minh trail in Laos. 4 This was against the violation of Laotian neutrality but they were resisted from all fronts and their operation was total fiasco with number of ARVN soldiers scattered here and there and clutched themselves at the United States helicopter skids to save themselves. Half of the soldiers were arrested or killed In 1971, both Australia and New Zealand brought their soldiers back to their nations and slowly and slowly United States too was reducing their strength of soldiers.They were now only 196,700, with a promise to further withdraw other 45,000 troops by February 1972. As the peace protests increased, soldier s became quite disillusioned and the ranks saw the number of soldiers using drugs, adhering to racism and disobedience of their officers. 5 Easter Offensive of 1972 again tested Vietnamization. The PAVN/NLF went inside the northern provinces and with the help of other forces, gave forceful attack from Cambodia, posing the threat to divide the country into half.Soon American airpower launched Operation Linebacker to resist these attacks. Meanwhile, United States continued with withdrawing off troops. Hereby it was coming to the notice of every one that it was impossible for South Vietnam to resist their enemies without American’s air support. By August, all the remaining ground force was completely withdrawn except certain civilian and military advisers. At the same time, Henry Kissinger was forging the secret negotiations with Le Duc Tho.In October 1972, though they came to an agreement but South Vietnamese President Thieu wanted certain changes in the peace accord. When Nort h Vietnam went with the details of the agreement, the ___________________________________________ 4 Bragg, 163. 5 Bragg, 165. Nixon administration thought that the North Vietnam was trying to humiliate the President. Negotiations came to a dead knell but Hanoi asked for certain changes and to just show that how much Nixon supported South Vietnam, he again ordered Operation Linebacker II and threw bombs on Hanoi and Haiphong. 6Bombings however stopped by the orders of Nixon on 15th January 1973 against North Vietnam and finally the time arrived for every one to enter into the Paris Peace Accord of 1973. The Peace Accord of January 15 officially declared the end of United States involvement in Vietnam and a ceasefire was announced both in North and South Vietnam. Prisoners of War in United States were released. This agreement gave the territorial integrity of Vietnam and sought for elections in both North and South Vietnam. The Paris Peace Accord fixed sixty days for the United States to completely recall back their troops.And as said by Peter Church, only this agreement was carried out in true letter and spirit. 7 _________________________ 6 Bragg, 169 7 Church, Peter, A Short History of South-East Asia, (Singapore: John Wiley & Sons, 2006) Bibliography Bragg, Christine, Vietnam, Korea and US Foreign Policy, 1945-75,Oxford: Heinemann Publishers, 2006. Church, Peter, A Short History of South-East Asia, Singapore: John Wiley & Sons, 2006. Simon, Dennis, The War in Vietnam, 1969-1973, (18 March 2008)

Animation

Research Hameed Khan Topic: Animation: A way of introducing literature and moral values to children at adolescence by comparing William Shakespeare’s ‘Hamlet’ and ‘The Lion King’ Animation Long Term Paper on ‘Preparing a Research Proposal ’ Title: Animation: A way of introducing literature and moral values to children at adolescence by comparing William Shakespeare’s ‘Hamlet’ and ‘The Lion King’ Animation . There is no doubt that today's entertainment has lost most of its touch with the more classical influences of its predecessors.However, in mid-1994, Walt Disney Pictures released what could arguably be the best animated feature of all time in The Lion King. With a moral base unlike most of the movies released at the time, The Lion King placed a children's facade on a very serious story of responsibility and revenge. However, this theme is one of the oldest in history, and it is not the least apparent in one of the oldest works of literature by The Bard himself, William Shakespeare.The work that Disney's The Lion King parallels is none other than Hamlet: Prince of Denmark and the film shadows this work so closely, that parallels between the main characters themselves are wildly apparent. This very close comparison has led critics â€Å"to compare the movie to Hamlet in the importance of its themes†. But with a closer inspection of the characters themselves do we see just how apparent these similarities are.The movie addresses in one way or another all of the important contemporary dilemmas: bravery, responsibility, vulnerability, preparedness, stewardship, faith, science, the importance of history, family and the environment. In these days of personal uncertainty and political cynicism, The Lion King provides clear moral guidance wrapped up in an entertaining and wholesome shell. Introduction: In The Lion King, the role of the young prince whose father is murdered is played by a cub named Simba, whose naivety procures him more than his fair share of hardships and troubles.By the acts in the story alone, one can see that Simba is a direct representation of Shakespeare's Hamlet Jr. , but not only that, each of them shares similar actions in the play. Interpretations if Simba's actions are as profound as Hamlet's, particularly of why Hamlet delayed in exacting vengeance for his father's death (Harrison 236). Both Simba and Hamlet Jr. â€Å"delay† their action of retribution for their respective father's deaths. The loss of their paternal companion leaves Hamlet incredibly melancholy and Simba without a royal teacher and father during his tender years.Each of them runs from their responsibility, although inside themselves they know what must be done: Hamlet attempts to validate his suspicions while Simba hides from his past. However, some have attempted to theorize that Hamlet's delay is due to his mental instability, his madness over the death of h is father. Eliot refutes this, calling the characterization â€Å"a simple ruse, and to the end, we may assume, understood as a ruse to the audience† .Simba exhibits this same behavior, venting his feelings in mournful retaliation against responsibility, most notably when his childhood friend Nala attempts to persuade him to return to the Pride Lands. This delay between our characters adds a more haunting effect between the two works. It's surprising that today's audiences can be so moved by themes that were first implemented in literature almost four hundred years before. Similarly, the characters of Hamlet Sr. and Mufasa bear a striking resemblance to one another, not only in their actions, but their meanings as well.Hamlet Sr. , the once king of Denmark, ruled his kingdom in peace and prosperity, evident in the conversations in Act I, Scene I between Marcellus and Horatio about the creations of implements of war in Denmark under the new king, Claudius. Mufasa, too, ruled p eacefully over the Pride Lands, only worrying about his son and his responsibilities. But, after their deaths, they each become more than the kings they once were. They become the heralds for their sons, compelling them to avenge their deaths and take responsibility for what their uncles have done. Each deceased king pproaches his son in the same way: via an apparition that gives a direct, if not opaque, monologue driving their princes to action and each ghost leaves the interpretation of their messages open to their sons. Neither Hamlet Sr. nor Mufasa tell their respective sons directly to destroy their murderers, although Hamlet Sr. does name the perpetrator directly, it is Hamlet that decides that action must be taken. It is this direct allusion of one major character with an integral part in advancing the work to another that helps solidify Shakespeare's influence as a writer of great literature.But it isn't just the protagonists that allude to one another; the villains in both The Lion King and Hamlet can be directly and similarly compared to one another. Both Scar, from The Lion King and Claudius, from Hamlet, are brothers of the king, murder their sibling to usurp the throne, and take their brother's wife as their queen (There is no direct proof of this conjecture for Scar, but since Scar calls upon Sarabi, the former mate of King Mufasa, in The Lion King to report on the status of the Pride Lands, it stands to reason that she is Queen of Pride Rock. . It is not so much the characterizations of the characters in this instance than the actions that provide proof of how Shakespearean literature invokes writers today. Claudius, at first, appears satisfied by his deeds, enjoying the life of a king, parading around to view his belongings, wedding his own brother's wife, and holding banquets in his own honor, all the while preparing for war with a neighboring Scandinavian country.Scar revels in his ill-gotten spoils as well, allowing his hyannic henchmen to h unt the Pride Lands to practical defoliation while he reclines in the pride's cave, tormenting his majordomo Zazu and eating more than his fair share of the kills. Scar, like Claudius, grossly exploits his new-found power and drives his kingdom into war. But here is where the similarity begins to diverge. In Hamlet, we see Claudius repenting for his sins against his brother, repealing the fact that he committed that heinous deed and begging forgiveness from his Lord.Scar, on the other hand, never once doubts his actions, and goes with them to their final conclusion. Scar even goes as far as to taunt the prince, Simba, has he hangs of the precipice of Pride Rock: â€Å"And now here's my little secret. I killed Mufasa! † One could argue that the act of confessing to the crimes is an additional parallel between the characters, but their motives for doing so are not alike. Claudius is making an attempt to repent for the sin cast upon his soul, while Scar is bawdily declaring his cleverness over his kind-hearted yet naive brother.With the major characters in both works aside, the similarities between secondary characters in The Lion King and Hamlet are still quite striking. The insight of one work in another is so deep that The Lion King goes as far to allude Hamlet's Rosencrantz and Guildenstern with Timon and Pumbaa. A comparison here, if not the greatest comparison, is the fact that both pairs of characters in both works are provided as relief from the main focus of the stories.Timon and Pumbaa provide a welcome resort from his responsibilities and hauntings of his past by introducing him to the carefree life of â€Å"Hakuna Matata†, while Rosencrantz and Guildenstern allow the audience to know that Prince Hamlet does enjoy a life outside of the royal house, mingling with fellow scholars-to-be and friends. However, Hamlet's friends are charged by his nemesis, Claudius, to bring Hamlet before the King on numerous occasions. There is no direct eviden ce that Timon and Pumbaa are in the employment of Scar, nevertheless, the sidekick pair in The Lion King provide a very similar function, whether they realize it or not.Rosencrantz and Guildenstern are a constant reminder to Hamlet about the revenge that must be exacted upon Claudius by being messengers to the mournful prince whenever Claudius needs them to be. By locating Hamlet and announcing that the king wishes to have court with him, they play an important role in the foreward progress of the play, and the downward spiral of Hamlet's sadness. Timon and Pumbaa, similarly, at one time attempt to procure their leonine friend's past from his memory. Simba falters, at first, his carefree life shattered by the memories of what brought him to the jungle in the first place.But when he finally gives in and tells them when his own father entrusted him too, Timon and Pumbaa laugh uproariously, disbelieving what they hear. But it is this jogging of Simba's memory at the prodding of Timon a nd Pumbaa that moves the story onward, and brings Simba's melancholy back to him. And when the past finally becomes fully clear to Timon and Pumbaa with the arrival of the lioness Nala, they not only attempt to bring Simba to his senses in their own blunt, of not comical, way, they attempt to confront him and make him face his past.They fail in this, but they still bring to Simba's mind the events in his childhood, and the pain that it brought to him. Although Timon and Pumbaa had no intention of doing so, they performed the same act of reminding the main character of their responsibility to their father, and to their kingdoms that Rosencrantz and Guildenstern did to Hamlet Jr. Another secondary character to the protagonist and antagonist are the respective queens of each work, Sarabi from The Lion King and Gertrude from Hamlet: Prince of Denmark.Each of them are nearly complete mirror images of one another, each having the same place in the social hierarchy, equal amounts of power over their kingdoms, and emotional ties to the main protagonists of the stories. Sarabi is the Queen of Pride Rock, leader of the lionesses since the reign of King Mufasa. Although she is not the reason Scar usurped the throne from his brother, it is a near certainty that she has stayed on as Queen because she is quite adept at her duties. Gertrude, likewise, is adept at her duties as well, although they take on a quite different task than Sarabi.She is mainly for show, for Claudius to own and adorn with his newly gotten wealth. Both Sarabi and Gertrude are Queens, but both show little or no power over their subjects. Sarabi is nearly killed by Scar when she dares to question one of his decisions, which shows the place of the lionesses in the pride: pawns in Scar's quest for power. Any deviation from being simple huntresses results in pain, and perhaps death at the paws of Scar and his multitude of hyenas. Gertrude, too, never appears to order anyone, although she certainly has the capacity to do so.She instead plays the weakened queen, doing as her husband bids her and plaintively bending to Claudius's will. But even though these similarities are surprisingly close for non-primary characters, it is their emotional connection to their sons that spurns the stories along. Gertrude's marriage to Claudius enrages Hamlet to no end, driving him more and more out of his delay to act upon his father's death. It is her willing forgetfulness of her former husband that pushes Hamlet to the brink, their emotional bond that pains them both to ends that he must act on, and she tries deeply to hide.Sarabi, too, has such an effect on her son Simba. When Nala finds Simba, and realizes that he is not dead, as Scar had said, she is enthralled and wonders aloud about the feelings of his mother. This has a noticeable affect on Simba. He recoils, the responsibility that he believes is his is once again thrust upon him, and the thought of his mother's feelings towards his past deeds sends him further into sadness, furthering the story. And when Simba does return to Pride Rock, he is enraged when he sees how Scar is treating his mother, just as Hamlet is enraged at how Claudius treats his mother as well.In a way, it is the queen in each work that adds to the deep melancholy of the main characters and drives them to action. This movie both reflects and shapes our cultural consciousness about contemporary social and political change, speaking forcefully to the question of who should hold power and how people should acquire it. The movie reinforces hierarchy, especially primogeniture, in nearly all of its 26 scenes, either through what the characters say, how they are displayed, or both.The message presented at every turn is that we are better off with our traditional leadership, that those individuals are both wise and benevolent, protecting the health and welfare of all members of the group, even the most vulnerable. At the same time, the movie attacks those out side the traditional group of leaders who rise to power â€Å"illegitimately,† showing us how they are inherently unfit to hold positions of authority and can bring disaster down upon all of us.The Lion King, even though it is an American movie, does not promote what we might have come to think of as â€Å"American† values, those which support meritocracy and democracy. Finally, the movie reinforces the submissive and passive role of the citizen. At a time when we might consider democracy to be challenged, The Lion King doesn't make a strong case for inclusion, diversity and broader political participation. In fact, it does just the opposite, arguing essentially from an aristocratic position for the return to old-fashioned values and maintenance of the status quo.Purpose of Study: The main agenda behind doing this research is to highlight the fact that modern entertainment media is a very powerful source to teach literature and moral values to students when they are at a turning point in life. The time when they learn what life is all about. Although much of modern entertainment may look like new entertainment on the surface, if we probe deeply enough, we can find connections to some of the greatest literature of all time.Shakespeare is probably one of the most influential writers of all time, if not all time, and his greatest works, not limited to Hamlet: Prince of Denmark, are the basis of many stories written today. His plays are continuously redone and reperformed, his sonnets quoted in many a song and story, his histories the basis of many school lessons, and his influences are more than profound in many cases, and in the case of The Lion King, those influences are the basis of the story, not only of the main protagonist and antagonist, but of secondary characters as well.All these Dramas, Poetry and Stories do impart Value education to children in many ways. I intend to research on to what extent does entertainment is of any use in teaching literature to students looking forward to take literature as a subject for specialization and of be any use to keep the moral values of these students intact? Review of Literature: There has been research on comparison between literature and Animation earlier. But my research mainly deals with the factor that had been left untouched yet, that both Hamlet and The Lion King show similarities in plot and characterization.The cinematic adaptation appeals to the children as well as the adults. Whereas Hamlet only circles around literature students. Doing a complete analysis of the film adaptation gives us a detailed structure of what amount of principles and beliefs that influence the behavior and way of life of the future generation can be extracted from this modern media of value education through entertainment and detailed knowledge of how literature can be thought to students at pre-graduation level. * Hierarchy and LegitimacyScene 1 of the movie depicts all the animals on the Afric an savannah gathering to pay tribute to the new heir, Simba. The lyrics of â€Å"The Circle of Life† present life as overwhelming, explaining why we need our traditional leaders: â€Å"There's more to see than can ever be seen/More to do than can ever be done. . . . /It's the Circle of Life/And it moves us all/Through despair and hope/Through faith and love/Till we find our place/On the path unwinding. † One by one, the critical characters are introduced and their â€Å"places† are identified. Mufasa, the ajestic patriarch, watches from the point of Pride Rock while his loyal subjects gather below for the presentation of his new-born son. Zazu, the horn-bill, appears first and clarifies his role, first as the most-loyal subject by bowing low, and then as Mufasa's trusted advisor, allowing him unusual familiarity with the king, although he always refers to him as â€Å"sire. † While the assembled zebras part and bow down, making a path for Rafiki, the old shaman, he is embraced by Mufasa, treated with the deference and respect usually accorded a society's senior priests.His first action is to anoint the young Simba, to validate him as the heir apparent, and to present him to the crowd assembled below. As in many of the scenes in The Lion King, the music and visuals carry messages as important as the dialogue. In this first scene, for example, there is no conversation. Instead the message of class difference is conveyed through the different levels on which characters appear. Throughout the movie, those with power appear above those who are powerless; for example, the most powerful characters are usually up on ledges, and those who are vulnerable are down on the valley floor.Mufasa gazes down upon the mass of animals gathering below him; Pride Rock, his â€Å"throne,† is the highest point in the Pride Lands. Camera angle also tells us about power relationships, close-up for those in power, panoramas and long shots for the mass of undifferentiated animals who have no status. The change in the complexity of the musical arrangement, the drop from a full orchestral arrangement, in which there is little differentiation between instruments, to a instrumental solo as the scene moves from the group of subjects to the single important character, identifies to whom we should shift our attention.In this first scene, lest the youngest among us miss all these clues, Simba is highlighted by a sunbeam as Rafiki holds him up before the mass of animals, who then, cued by this natural sign of individuation, howl and stamp their feet in approval and bow down in a mass display of obeisance. The problems of hierarchy, legitimacy, and power are explored in Scene 2 in which Scar is introduced. His first line, and ironically the first piece of dialogue, may be thought of as a basic premise of the movie: â€Å"Life's not fair, is it? (Much of what currently upsets conservatives are attempts to achieve social, political and econo mic â€Å"fairness† by such legislative means as affirmative action, guaranteed health insurance, easier voter registration, the minimum wage, and a host of additional government regulations. ) The scene explores the sources of â€Å"unfairness:† differences in physical size or strength, differences in lineage or position, and differences in cleverness or intelligence. Obviously, the mouse is vulnerable in this scene because he is small, but he is saved by a Zazu whose power derives initially from his ability to distract Scar.When Zazu is threatened in turn, he is rescued by Mufasa, who just orders Scar to drop the bird. Mufasa's authority comes from his position as king, which Scar questions by not attending Simba's presentation, but his power comes, according to Scar, from â€Å"Brute Strength. † Scar's power, by his own admission, derives from his â€Å"brains. † Some critics have argued that Scar's accent, tone of voice, appearance, movement and word choice (â€Å"curtsy,† â€Å"shallow end of the gene pool†) suggest that he is homosexual, and that his role as supreme villain attests to powerful strains of homophobia in our cultural consciousness.Those who have focused on these features of his characterization point out that Scar rises to power through unnatural means, including deceit and fratricide, and that his â€Å"administration† results in the near-destruction of the Pride Lands and the potential extinction or exile of all the animals. They also point to Zazu's sympathetic comment to Mufasa that â€Å"there's one in every family,† and lambaste his (albeit mocking) suggestion that Scar be reduced to a useless ornament (â€Å"a handsome throw rug†) which would permit Mufasa to â€Å"take him out and beat him . . . henever he gets dirty. † Some viewers have argued that this interpretation resides â€Å"in the eye of the beholder† and not â€Å"in the movie,† but cultura l critics would point out that texts reflect as well as shape our cultural consciousness and can invoke an audience as well as address one already identified. Adding another dimension to the question of legitimacy, it is curious that although they are brothers, Mufasa speaks with an American accent and Scar's is clearly identifiable as British (hence â€Å"illegitimate† or â€Å"foreign† in contemporary American society). The Role of Nature Scene 3 follows to remind us that Simba is the legitimate heir by virtue of his class and lineage, that he has been presented to his subjects and then anointed in a public ceremony, with the event now recorded for posterity in a cave painting (the movie's version of a public record or historical document). What follows (in Scene 4) is another argument for hierarchy and patriarchy, this time derived from nature.In this father-son encounter (Sarabi recedes into the background here; women clearly are secondary yet numerous, generally u nnamed, and lacking influence in this culture), Mufasa explains how what they â€Å"own† is defined and measured by natural processes (â€Å"Everything the light touches is our kingdom. † â€Å"A king's time as ruler rises and falls like the sun. â€Å"). Just as we can infer from Scene 2 that illegitimate power is unnatural, so we learn here that legitimate power is organic, harmonious, predictable and regular, attuned with the natural order of birth and death and based on respect for all species.The succession, to occur in some distant future, is already determined, and in this father-son colloquy, Mufasa emphasizes the orderliness of it all. The movie makes use of our cultural knowledge of nature. There are numerous references to being higher or lower on the food chain, and selection of animals and their characterizations make use of the actual qualities of the animals. The warthog, for example, is an ugly African pig that usually travels in small family groups (m uch like the trio of Pumbaa, Timon and Simba). They are indiscriminate eaters and often use the burrows created by other animals.Hyenas, in addition to having a weird howl, are scavengers, feeding on the carrion left behind by other animals. Even the weather in this movie reflects what is going on in the plot: clouds stream across the sky when conflict threatens, the winds of change blow when the plot turns, and the sunrises and sunsets flash by in rapid succession to signal the passage of time. The movie also depends on our knowledge of human development, especially the behavior of the young. The jaunty â€Å"I Just Can't Wait to Be King† (Scene 7) shows just how immature and incomplete the young Simba's understanding of the responsibilities of leadership is.To him, preparation for kingship is limited to â€Å"brushing up on looking down† and â€Å"working on his ROAR,† and the primary benefits of the job are being able to ignore orders from others, being free to â€Å"run around all day† and â€Å"do it all his way. † Coupled with â€Å"Hakuna Matata† (Scene 14), another bouncy carpe diem number that emphasizes just how alienated from work and his adult responsibilities Simba has become as he drifts around the African plains with Pumbaa and Timon, we can see how unsuited Simba is for the role of king.Even Nala recognizes (in Scene 20) that the older Simba is somehow less mature than she expected he would be, and yet she falls in love with him anyway, restoring â€Å"the perfect harmony† alluded to in the lovely ballad, â€Å"Can You Feel the Love Tonight? † While a psychological interpretation of the movie would move through these scenes, showing how Simba eventually comes to take his leadership responsibilities more seriously, a cultural analysis finds them more problematic, for these are the songs we hum as we leave the theater and the lyrics we sing under our breath without thinking about the values they promote.The context may be ironic in the movie, but we forget that quickly enough. * The Importance of Borders In Scene 4, Mufasa carefully explains to his son that there is land beyond their authority, an area to the north that Simba calls â€Å"the shadowy place,† and one role of the king is to make sure the borders are not breached. The Pride Lands are economically healthy and ecologically sound in part because the scavenging hyenas (â€Å"those slobbering, mangy, stupid poachers†) are excluded, relegated to the colorless Elephant Graveyard where there is neither sufficient food nor water to sustain them.When they take over the Pride Lands in league with Scar, they destroy the â€Å"balance of nature† and the land withers; their presence nearly destroys the entire society. Some critics have suggested that selecting Whoopi Goldberg, Cheech Marin, and Jim Cummings as the voices of Shenzi, Banzai, and Ed, the three speaking hyenas, reflects a variety of rac ist and ethnic biases; Mark Leeper notes, â€Å"Outwardly the film has a love of African rhythms and language and yearns for a united world–everyone but hyenas united.But the core is just a bit ugly and scary. † The Pride Lands has, in effect, its own Proposition. While its borders are not impermeable, the hyenas are prevented from any role but that of scavenger. Perhaps Scene 10 (‘Be Prepared') presents the most troubling picture of the hyenas and their pact with Scar. Set in the hyena cave where it is dark and gray, the scene opens with Shenzi, Banzai, and Ed licking their wounds (both figuratively and literally) after Mufasa has saved Simba from their clutches in the Elephant Graveyard.They clearly are out of control: Ed is laughing hysterically and chewing on his own back leg, unaware that it is his own, and Banzai and Shenzi are castigating lions in general and boosting their own morale in the process. They are momentarily startled when Scar appears, but unl ike Mufasa, he presents no threat to them because he has no real power. Indeed, during this scene he reveals to the hyenas and to the viewers his general plan to kill Mufasa and Simba and assume the throne himself. The song's refrain â€Å"Be Prepared! ironically echoes the Boy Scout motto as hundreds of hyenas, singing â€Å"in tight, crisp phrasing and enunciation,† goose-step past in tight military formation, fires casting their eerie shadows against the walls of the cave and a crescent moon (looking at first like a hammer and sickle) appearing high above the cavern walls. Obviously Scar views the hyenas as â€Å"thick,† â€Å"crude and unspeakably plain,† with deficient â€Å"powers of retention† and â€Å"vacant expressions,† yet he promises them that if they support him in his efforts to wrest power from Mufasa, they will â€Å"never go hungry again. Scar has contempt for his accomplices, even while he enlists their aid. Contrasting these m iscreants with the wise, patient patriarch stacks the deck. * Religion Not surprisingly, The Lion King makes use of many religious images and echoes, affirming faith and folklore while rejecting science. Beginning with the baptism of Simba in the opening scene, the movie is full of familiar rituals. In Scene 9, for example, just after Mufasa has chastised Simba for disobeying him, he explains the mystery of the stars to his son: â€Å"The great kings of the past look down on us from those stars. . . Just remember that those kings will always be there to guide you. And so will I. † Indeed, Simba repeats this explanation to Timon and Pumbaa at the end of Scene 16 (although Timon translates it into â€Å"You mean a bunch of royal dead guys are watching us? † and dismisses Simba's explanation in favor of his own, that the stars are fireflies â€Å"stuck up on that big bluish-black thing. â€Å"), although he is troubled by the memories of his father's promise. After Nala finds Simba and urges him to return to save the Pride from sure destruction, Simba bitterly addresses the stars and his father, â€Å"You said you'd always be there for me. This crisis of faith, in Scene 20, continues until Rafiki forces him to look in the pool where he sees the face of Mufasa emerge from the clouds. Mufasa says sadly, â€Å"Simba. You have forgotten me. † When Simba cries that he is not who he used to be, Mufasa admonishes him, â€Å"You are my son, the true king. † Finally, after Simba vanquishes Scar and the Pride Lands are consumed by fire and then cleansed by the rains, Mufasa appears again in the heavens with a single word, â€Å"Remember. In fact, Simba has become the savior, restoring the Pride Lands and saving the lives of the animals. Even Christianity seems to support the restoration of â€Å"The Circle of Life. † * Conclusion Of course, this is not the way an allegory of the modern egalitarian and inclusive society should conclude . The story should end, as Scar implies it will in Scene 12, with the lions and hyenas coming together â€Å"in a great and glorious future,† one in which everyone has enough to eat, a role to play, and an equal say in the governance of the Pride.In the new society, the border between the Pride Lands and the Elephant Graveyard would disappear, the hyenas would be transformed into productive members of a global society, contributing their efforts in promoting the welfare of the whole group, and Scar would learn how to be a wise leader, making sure that no one was taxed beyond his or her ability or left needy. Future leaders would emerge from the Pride based on merit, not birth. Some readers will object to this analysis, arguing that The Lion King is a children's movie after all and shouldn't be interpreted as speaking to adult issues.But what is a children's movie, if not one that transmits the dominant values of the culture to young children in an entertaining manner, while a t the same time confirming those values for adults. This movie addresses an important social issue that affects children, in their schools, churches, parks and neighborhoods. Unfortunately, it suggests that excluding people because their appearance or their heritage or their habits differ from those of the people in power is an acceptable social and political policy, one supported by tradition, history, and religion.The Lion King sugar-coats a bitter and powerful message about patriarchy, legitimacy and hierarchy. Hypothesis: On the basis of this detailed analysis, my hypothesis is that The Lion King is a shadowed representation of Hamlet, taking what is presentable to the young minds but enough to interest students into literature. The conclusion I drew out of it is that entertainment is not mere enjoyment but a very powerful and effective media to spread the teachings of literature among the young minds of future. Methodology:My research method will include a detailed study of Ham let text and the movie from every angle related to literature and its appeal to the audience, especially the novice level students of arts and literature. I will also concern this factor with the respective experts of both fields Literature and Cinema. Research Limitations: This study is limited by the study of a single literary text and a movie that resembles the similar plot, characters and moral values. A similar significant phenomenon can be observed in other works too but to study the comparison and representation in detail they have been excluded.Significance: As previously given this study will help the future development of literature learning and widen the scope of limited medium of learning. The study is limited to only a single comparison so as to keep the study in detailed spectrum. Tentative Chapterization: 1. Introduction: 2. Comparison between Plot and Characters: Tentative plan: The Lion King, though very much based on Hamlet, has many different elements that we can make comparisons with Shakespeare’s work. It begins with the birth of Simba, the young cub of the King, Mufasa. This introduces the importance of the natural cycle.As Mufasa says, â€Å"We are all connected in the great Circle of Life. † The death of one King leads to the rise of another. This is also what happens in Hamlet. Simba is born to be the successor of the King and he cannot deny his destined role. As a carefree cub, Simba â€Å"just can't wait to be king,† his attitude is quite different from Hamlet, who is also carefree in the beginning of the story, but does not want to be King. Similar to the plot in Hamlet, Mufasa’s spirit appears to Simba, and reminds him of his duty, and repeatedly tells Simba to â€Å"Remember† him when Simba runs away after thinking that he had caused the death of Mufasa.This is similar as in Hamlet, the Ghost of old Hamlet appears to him and asks his son to take revenge on Claudius. Also there is comparison betwe en secondary characters. 3. Detailed study of The Themes in the movie * Hierarchy and Legitimacy * The Role of Nature * The Importance of Borders 4. Influence of entertainment on Literature learners. Tentative Plan: A detailed study about how entertainment industry has influenced the younger generations and how it can help to expand the scope of learners of literature around the world. 5. CriticizingThere have been arguments that this kind of cultural analysis in fact, any close analysis at all ruins the entertainment value of the movie, forcing us to confront all kinds of unpleasant truths when we are expecting merely to be entertained. Granted that I see more layers of meaning every time I view the movie or listen to the music or read the script, but I still find the musical score stirring, the animations fanciful, and the antics of Timon and Pumbaa engaging. Just because we become aware of the multiple levels of meaning doesn't mean that we have to deny the aesthetic appeal of th is creation.Bibliography: Shakespeare, William. Hamlet: The New Variorum Edition. 2 vols. 1877. Ed. Horace Howard Furness. New York: Dover Publications, 2000. Shaw, George Bernard. â€Å"Shakespeare: A Standard Text. † Times Literary Supplement. 18 Mar. 1921. rpt. in Shaw on Theatre. Ed. E. J. West. New York: Hill and Wang, 1958. Rowse, A. L. , ed. Hamlet. 1978. By William Shakespeare. The Annotated Shakespeare. New York: Greenwich House, Crown Publishers, Inc. , 1988. Harrison, G. B, ed. â€Å"The Tragedy of Hamlet, Prince of Denmark. † Major British Writers.Harcourt, Brace, & World, Inc. : New York, 1959. Adams, Joseph Quincy. A Life of William Shakespeare. Boston: Houghton Mifflin Company, 1923. Asimov, Isaac. Asimov's Guide to Shakespeare. 2 vols. New Jersey: Random House Value Publishing, Inc. , 1970. Eliot, T. S. â€Å"Hamlet. † Elizabethan Essays. Haskell House: New York, 1964. Brandes, Georg. â€Å"The Classic Tendency of the Tragedy. † Willia m Shakespeare, A Critical Study. 1898. Frederick Ungar Publishing Co: 1963. Taymor, Julie. The Lion King: Pride Rock on Broadway. Hyperion: New York, 1997.

Coney Island Film Critique essays

Coney Island Film Critique essays In the documentary Coney Island produced by Ric Burns illustrates Coney Islands transformation over its existence. Basically the film is a reflection of America at the time and as America changed so did Coney Island. The over all message that Ric Burns was conveying through the film was that Coney Island was a place that offered the future to all its visitors a playful happy atmosphere with roller coasters, rides and cultural attractions. A few examples of these attractions described were the Ferris wheel, Sea Lion Park, horse races, the Blow Hole Theater, an infant incubator site and the Steeplechase. All of those attractions redefine leisure, entertainment, and, above all else, imagination for the modern era. With all of that said the directors dont just glorify Coney Island, its hardships and set backs were also documented. Through out Coney Islands history there were many set backs that almost ended its existence but some how the Island always seemed to survive and still provide a happy haven for city dwellers. I am not sure if that was Ric Burnss intent but I feel it was very well documented. A way that Ric Burns added to the dynamic of Coney Islands peaks and hardships was with the use of sound and music. Ric Burns used people laughing often to show the underlying emotion felt at Coney Island; freedom. To contrast that feeling whenever the dialogue referred to one of the parks at Coney Island that fell victim to a fire the same gloomy music was played. During those depressing times depicted at Coney Island often there was less dialogue and more pictures to illustrate the horrible aftermath the fires had on Coney Island. The director used images to convey his message, feelings and transformations of Coney Island. Often when still images were used there was an accompanying mysterious voice usually talking about the atmosphere of Coney Island. An example of this is a voice other then the ...

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